Deep Space 9 and Voyager

Jan. 21st, 2026 06:11 pm
armaina: (dotdotdot)
[personal profile] armaina
Over the last few months I've given thought to watch Deep Space 9 and Voyager. I've grown up with original Trek due to my father so I've been pretty saturated with trek stuff all my life but I haven't really ever watched it on my own, largely due to disinterest. After my father's scripts were stolen for The Next Generation, we didn't have any further iterations of trek airing in the house as much. So while I knew some things here and there I didn't know anything in extensive detail beyond OG trek. But I've thought about giving some things a watch that would be easy to watch while I was drawing so I looked into those.

I've been mildly curious about Deep Space Nine, not so much about Voyager, so I started off with that one first.

First, some thoughts that extend to both series. Watching both these shows has reminded me, once again, why I tend to be very disinterested in live action shows, especially when I was growing up. I get annoyed enough with poorly portrayed relationships in cartoons, but they at least in kids cartoons they aren't so horribly contrived and drama-saturated as prime time programming. Every issue I have with society's perception of sex and gender is amplified 10 fold in typical prime time programming that's at least dulled in kids cartoons. I already had a poor expectation to begin with so the blow of the obnoxious portrayal of these aren't as bad, especially knowing how media has improved, but this really would have pissed me off so much more as a teen and even young adult.

But man

Some of this is BAD

Okay, onto Deep Space Nine

Deep Space Nine )


Voyager is... frustrating.

Voyager )

So yeah, I def enjoyed Deep Space Nine more than Voyager, but Voyager was at least less bad than I expected.

It keeps happening.

Jan. 17th, 2026 07:45 am
armaina: armaina (taithal no u)
[personal profile] armaina
It keeps happening!

And by It, I mean, people who have no problem using He pronouns with strangers and friends, referring to me as They. People that interact with me frequently enough to know how I identify, referring to me, as They.

'Oh but I use They for anyone'

Incorrect!

Every time I've been referred to as They, it was by someone that has no such hiccup referring to any that uses He, as that.

Which means one of two things: Either you have an aversion to using She even for those that want it, or you do not percieve me as a woman. One of these things hurts a lot more than the other.

I've never been a They. I love identifying as a woman, it brings me joy to identify and express womanhood in my own way. And it pains me every time someone I thought knew me, denies me that identity.

Sometimes I wonder if some of the people that do it, think they're doing me a favor. Like I read like all the other She-Turned-They mutuals in our social circle and maybe these people assume I'm the same because I don't read 'feminine' and are attempting to 'validate' that, but it's the opposite of validating.

I'm not nonbinary, I'm not agender. These labels do not give me joy, and make me feel alienated when used to refer to me by people I thought knew me even a little bit. I am a woman, I love being a woman, especially being a woman My way. Being gender nonconforming doesn't remove my identity as a woman.

The Case of Affinity

Jan. 14th, 2026 03:44 pm
armaina: (taithal huh)
[personal profile] armaina
So, I like Affinity Studio, I like the products a lot. I like the interface, I like what they do, I like the ease of use with vector tools, I like the range. They're very close to being an actual replacement for Photoshop in ways no other application has been before it. I purchased the total suite of Affinity 2 at launch for 100$, an incredibly affordable price and well worth the tools for photo editing, vector work, and page layouts.

Some time ago, the Affinity suite of applications' parent company, Serif, got acquired by Canva. There was concern about this, a lot about what Canva stood for and the growing amount of generative tools being shooed in with little oversight. But for a time Canva left the Affinity Suite alone and it made some wonderful advancements. Affinity Publish is a big reason why I was able to start making zines, as it's interface was easy to pick up on and especially intuitive.

A couple months ago, Affinity was made into a singular program and released for free, and I have some mixed feelings about that.

NOW

I have no complaints about the fact that they made free something that once was paid. I don't think that's a bad thing, I don't feel I'm 'owed' anything. I paid for a digital license, not exclusivity. I still have the installs and backups, I can install it wherever and whenever. And in some ways, I think it's a good thing.

When trying to teach people basic photo editing, there's an ease of use that simply does not exist for Krita or GIMP. You can certainly learn to use those two, but there's a very stark learning curve that can get incredibly frustrating. And then, there's the text tools. There's one thing very few free services have gotten right and that's text tools, GIMP is a lot better than it used to be, but both Krita and Inkscape have some very odd controls for text editng. I've guided a lot of tech-inexperienced people through a lot of applications, and the truth is, Affinity and Photoshop have consistently been easier for tech newbies to pick up on than GIMP and Krita.

When the announcement hit about Affinity being rolled into a new program and it would be free, the first thing I thought was.. 'Oh I finally have a free tool I can point a whole lot of people to that they'll be able to pick up pretty easily and learn from. I know a lot of 'non artists' that would benefit greatly from being able to have a tool to do minor image editing. I can make PSD templates and they'll work completely, intact text layers and all, in affinity. And that's before even getting into how people that want to make Zines and don't have the money for fancy software can now look to Affinity. Most the free zine makers are for the really small zines, and then scribus is free but it isn't nearly as robust as Affinity. Like, in a lot of ways, Affinity going free is honestly, kind of amazing for the overall accessibility of design.

The thing that I'm actually concerned about this distribution model, is the long-term access.

With the applications I pay for, I typically get access to previous versions that I can install as needed if a change happens that I don't like. This type of free model, one that isn't open source, these companies rarely allow for access to previous versions which means if it changes, you're often unable to roll back to a previous version if you don't like the new changes. And if they ever decide the project isn't worth it to keep onto anymore, they can scorched earth the whole thing and there'd be nothing for it. Or they can switch back to a paid model, but only subscription once again locking others out of the ability to work on their projects lest they conform and hope they have it saved as another format.

So while I'm very excited for there to be something viably comparable for matters of graphic design for anyone low or no income, I'm very wary about the future of what that might mean and the access to the tools in question.

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