(no subject)
Sep. 27th, 2010 09:28 amI hope this is okay to post here!
Recently, I have decided to start seriously pursuing work as a commission artist. While I have done some commission work in the past, it's only been a handful of times. I had clear-cut prices, but not any rules or terms to speak of. Now that I'm hoping to make this a significant thing, I feel that I should do a complete reworking, especially considering how many issues I've seen arise here in the past as a result of unclear or incomplete artist rules.
My question is - where do I start? I'm really at a total loss as to where to begin. What things should be covered by my rules? What rules would be fair to both me and the commissioner?
I'd also like some input on how you handle pricing if you have a varied style. I know it's pretty straightforward to price your work when everything is done in the same way, but I draw in a lot of different styles and am wondering how my commission-offering should reflect that. Should I limit myself to only one style being offered, or try to work out different prices for each style I draw in? In the past I've just limited what I offer, but being of the "more is better" mindset, I want to offer as many possibilities to potential customers as possible.
Thanks in advance to anyone who's able to help on either of these points!
Recently, I have decided to start seriously pursuing work as a commission artist. While I have done some commission work in the past, it's only been a handful of times. I had clear-cut prices, but not any rules or terms to speak of. Now that I'm hoping to make this a significant thing, I feel that I should do a complete reworking, especially considering how many issues I've seen arise here in the past as a result of unclear or incomplete artist rules.
My question is - where do I start? I'm really at a total loss as to where to begin. What things should be covered by my rules? What rules would be fair to both me and the commissioner?
I'd also like some input on how you handle pricing if you have a varied style. I know it's pretty straightforward to price your work when everything is done in the same way, but I draw in a lot of different styles and am wondering how my commission-offering should reflect that. Should I limit myself to only one style being offered, or try to work out different prices for each style I draw in? In the past I've just limited what I offer, but being of the "more is better" mindset, I want to offer as many possibilities to potential customers as possible.
Thanks in advance to anyone who's able to help on either of these points!
no subject
Date: 2010-09-27 05:11 pm (UTC)- What you won't do (like maybe you don't want to draw ___ fetish or accept money orders, etc...)
- What kind of payment plan you have
- How the slots work (does this person commissioning you have to pay a little up front and then get their slot on the lineup or do they get their slot by who asked for the commission first, etc...)
Maybe look at some other commissioners TOS and ask yourself what you like most about their TOS and what it is about their TOS that you would change if it was yours. Not that you should copy their TOS, but simply use them as examples for structure and maybe topics you couldn't think of on your own you might want to give your commissioners a heads up about.
no subject
Date: 2010-09-27 07:05 pm (UTC)no subject
Date: 2010-09-27 05:14 pm (UTC)More can be better, but it can also be more work. Don't list items that you don't feel like you're that excited about. Speaking from past experience, my better commission work has been in mediums and styles that I myself have really personally enjoyed, and wasn't forcing myself to do for the sake of offering a bunch of variety.
no subject
Date: 2010-09-27 07:11 pm (UTC)Thank you for that advice. I'll definitely stick to the stuff that I'm more comfortable and happy doing.
no subject
Date: 2010-09-27 06:47 pm (UTC)I would make a terms of service page that your commissioners can read. Plenty of people here have them. (Mine is at taasla.rydia.net.)
As for the varied styles, I think offering a little bit of everything wouldn't hurt. I have a "cutie" option for those on a budget. They're still full body pieces, but they're more simplistic and cartoony than my usual way of drawing things. However, only offer things that you know you can complete comfortably. If you know you struggle with full on illustrations, don't offer them from the get go. Either make them special items that are only offered in small quantities, or don't offer them.
I think it would be good to get yourself started by offering small things in places like Teenycom or in your gallery. Just so you can get your feet wet, and when you are more comfortable, open for more.
no subject
Date: 2010-09-27 07:20 pm (UTC)no subject
Date: 2010-09-27 06:51 pm (UTC)http://www.furaffinity.net/journal/1713459/
Let me know if that helps!
no subject
Date: 2010-09-27 07:21 pm (UTC)no subject
Date: 2010-09-27 07:04 pm (UTC)no subject
Date: 2010-09-27 07:21 pm (UTC)no subject
Date: 2010-09-27 07:32 pm (UTC)no subject
Date: 2010-09-27 08:18 pm (UTC)no subject
Date: 2010-09-27 09:11 pm (UTC)http://kamakru.deviantart.com/art/Commission-Info-for-Kamakru-144118846
no subject
Date: 2010-09-27 10:54 pm (UTC)no subject
Date: 2010-09-27 10:45 pm (UTC)You might also want to clearly state your rights- that you retain the copyright on the image, that you will not be harrassed or bullied, things like that.
no subject
Date: 2010-09-27 10:55 pm (UTC)Oooh, thanks. I'd included the copyright explanation, but I hadn't thought of putting in anything about harassment.
no subject
Date: 2010-09-27 10:57 pm (UTC)Pricing styles really depend on the individual. You should probably consider:
-Materials used. Maintaining a tablet for digital commissions vs. buying paper, ink and shipping for digital commissions for example.
-Time involved/cost of labor. I have two friends who sold commissions through college. One charged pennies for digital because she could crank those out all day (things like cute toony LJ icons) while the other charged in the hundreds for digital because it took him days to paint (pieces on par with an oil painting).
no subject
Date: 2010-09-27 11:04 pm (UTC)